Advice To Creatives Facing Rejection
Hi there,
You’re receiving this newsletter as you opted in via bryancollins.com or read some of my work on Forbes and joined this list. I write about creativity, leadership and productivity weekly. You can unsubscribe from this free newsletter about those topics at the bottom of this article.
Bryan Collins
Many new creative professionals struggle with rejection, particularly at the start of their careers. The musician can't book a gig that pays. The artist struggles to sell her paintings. In Max Marlow's case, he couldn't find anyone who'd read, let alone buy, his film scripts.
He studied screenwriting in Goldsmiths in London, graduating in 2017. He wrote several 30-page scripts for short films, which were rejected by film and television agents who wouldn't accept unsolicited materials.
"It's a bit of a weird loop because if you don't have an agent, how are you supposed to get one by sending your stuff through?" he asks.
One slightly more helpful agent told Marlow he'd prefer a script longer than 30 pages, but Marlow still didn't know what to do with his short scripts. He found employment with Paramount, creating viral-friendly Instagram memes for e-commerce sites and movies.
Meanwhile, one of his friends, a male model, began growing his Instagram channel rapidly. So Marlow collaborated with his friend using the content creation skills he'd refined at Paramount.
"It was through that collaboration where I learned tips and tricks, and how to really grow an Instagram page," he says.
Rejection, Marlow's work at Paramount and the growth of his friend's Instagram channel inspired him to share stories on Instagram as captions alongside photos much like an author who decides to self-publish their rejected book.
In 2017, Marlow challenged himself to take a new picture and write one short story every day. His creative process involved photographing daily life around London and uses these images as inspiration for stories.
"Every story that I've written on that page has been inspired directly from the photo I take, which is why I've written over around 90 individual original short stories," he says.
Marlow also cites entrepreneur Gary Vaynerchuk and Instagram personalities like R.M. Drake and Caroline Calloway as early influences. From New York, Calloway shared extracts of her daily life on this social media network and won a book deal. (She later rejected this book deal and was criticized for charging $165 for a creativity workshop).
Embrace Consistency
Today, Marlow's channel claims more than 13,800 followers and 100,000 reads. However, channel growth tapered off for a few months when Marlow found work cataloging lamps on the set of Star Wars in Pinewood studios. The long "boring" hours ate into his posting schedule.
"[Instagram] is one of those areas where if you don't post and you're not consistent, you will fail," he says. "If you don't post enough then you'll get lost in the feed. People are always on social media looking for new content."
Marlow advises creative professionals who want to leverage Instagram to engage with their ideal audience to "look through the hashtags and really utilize them. For example, #YAauthor if you're a young adult fiction, and DMing people, and leaving comments, and likes," he says.
"It's all a community, especially for the writers, and everyone's backing each other, and that's where you kind of get the best feedback, and opening yourself up to having people read your stuff.
Marlow's storytelling on Instagram unlocked doors he couldn't get through after graduation. He's regularly invited to press events and screenings thanks to his work and was mentored by Star Wars: Han Solo director Ron Howard.
"Not only was meeting Ron Howard an awesome part of having grown...but I was sitting round table [style] with people who are like-minded, who had followings of their own," he says. "Being involved in this space has allowed me to kind of grow my network and also meet people who are massive storytellers themselves."
Now, supported by an audience who reads his materials, Marlow plans to write a longer script and believes his channel will help him connect with agents.
"Now that there is a following on the page, it will be an awesome time to kind of show my face, put myself out there as a writer, and document my journey on writing something long-form," he says.

❓Are you a dog person❓
_
“PLEASE CLEAN UP AFTER YOUR DOG” by Max Marlow [14-08-19]
_
EXT. FRONT LAWN - DAY
_
Nick (19) stands outside one of many identical homes on an empty road. He scrolls through his phone as his fluffy dog PEPI digs at a flower bed.
_
Nick yanks on Pepi’s collar to pull her away to no luck. Giving up, he continues on his phone until-
_
THE FRONT DOOR TO THE HOME BURSTS OPEN.
_
A MAN (50s, tight-skinned, monstrous) stomps out onto a WELCOME mat. He points.
_
Man: You! Get your dog off my lawn!
_
Nick: She’s literally having a sniff. We’ll go.
_
Nick puts his phone away and pulls at Pepi again, calling her to move. She won’t budge.
_
Man: I am serious. Did you not see the sign?
_
On a street light by the house - the icon of a dog crossed through in red. Nick gulps, pulling at Pepi harder.
_
Nick: Yeah I get it, we’ll be on our way.
_
The man grows frustrated and disappears into his house. He comes out again with a shotgun in hand.
_
Nick: The fu... Hey! I said we’ll be our way!
_
The man quivers with rage as he screws on a suppressor.
_
Man: And I said I was serious. Now. I’m going to count to 3.
_
The suppressor clicks. He aims the gun at Pepi. Focused.
_
Man: 1.
_
Nick is lost for words. He tries to drag Pepi away with all his might but the dog goes wild, screeching and fighting to continue its dig.
_
Man: 2.
_
Nick: She’ll move! She’ll move! You’re scaring her, stop I’ll show you!
_
Nick cries over the barking dog. Hopeless, he drops Pepi’s leash and jogs towards the man. The man cocks the gun, switching aim to Nick’s chest.
_
Man: 3.
_
Psuu. A slick shot of the gun sprays through Nick’s chest. His momentum brings him to collapse on the welcome mat before the man.
_
Looking around, the man drags Nick’s corpse into his home.
_
INT. MAN’S HOME - KITCHEN - DAY
_
Nick’s bleeding body lies on a pile of corpses laid along the floor. He takes meat from his fridge.
_
EXT. FRONT LAWN - DAY
_
The man approaches Pepi at the flower bed. With a smile, the man plows a hand through the dirt and pulls out a large buried steak - Pepi yaps with delight. The man throws the dirtied steak onto the road for the dog to eat. He buries a new one.
_
THE ENDAugust 14, 2019